The all-new Magic Bullet Film gives footage the look of real motion picture film by emulating the entire photochemical process – from the original film negative, to color correction and finally to the print stock. Colorista III has been streamlined dramatically, and now integrates beautifully with Adobe Creative Cloud’s new masking and automatic tracking features, making multi-layered, masked corrections easier than ever.
#MAGIC BULLET LOOKS 3.0 TV#
New features in Magic Bullet Looks include 198 new Looks presets based off of popular films and TV shows, as well as nine new tools – like the color space tool, 4-way color tool, and the film negative and film print tools. Watch it at, where it is featured on the front page of the site.Ī landmark release, Magic Bullet Suite 12 is packed with new tools and other product updates. To celebrate this monumental release, Red Giant’s film team has created “Old/New,” a new film narrated by Patton Oswalt. “We stepped back and looked at every feature introduced over the years and asked, ‘How can this be better?’ Every tool has been optimized for the GPU, providing real time rendering and so much more.” “Magic Bullet Suite 12 is a return to our roots: powerful color correction with a focus on a simple and enjoyable user experience,” comments Nate Sparks, Magic Bullet Suite product manager. Watch the introduction to Magic Bullet Suite 12 here: Built on the same foundation as the award-winning Red Giant Universe, Magic Bullet Suite 12 includes GPU acceleration for Magic Bullet Looks, Colorista III, Mojo, Cosmo and Magic Bullet Film, bringing real time color correction and grading directly to the editing host application. Delivering a powerful color correction and grading experience, Magic Bullet Suite 12 includes an unprecedented number of new features and improvements to existing tools, and introduces the all-new Magic Bullet Film. Starting 2015 with a bang, Red Giant announces Magic Bullet Suite 12.